Let the world know, let the heart show.

It blows against my principles
I’m used to act impassible
It would upset my own nature
Of never wanting exposure.

Yet I must find a decent way
To share the woes I can’t display
Yet I must clear another path,
On which I keep from grudge and wrath.

It might just seem hysterical
When I’m much rather cynical
It wouldn’t fit their impression
Of someone short on confession.

Yet I must pave a noble way
To shine a light on my dismay
Yet I must tread a different path
For a less daunting aftermath.

So let the world know
Let the heart show
And for once in a desperate time,
Wailing, wouldn’t be a crime.

I want dedication (more than ever)


Any subject is worth considering
Any question deserves your addressing
And if I had a hundred lives to spend
On each and every small facet of the being,
I’d go after any precious detail,
Make sure I deepen the searching.

But I’m running out of lives to spend on politics, economics,
On science, infrastructures, or coexistence…
I may even run out of potential lives to spend on music and culture,
Taste and colours.

Still, every problem is worth being treated
Every topic implies you debate it

But I’m running out of lives.
And I want the hardcore of my spirit,
Of my ideals and beliefs,
Of my reasons to live through the next day.

I want the obsession,
I want the focus,
The greatest of all attention,
The longest of all passions.

I want dedication
More than ever
I want dedication
All the way stronger.

I need you all.

It’s a shiny July afternoon,
And I finally settle at my usual spot,
In the « Jardin de l’Abbaye »,
On that big stone ledge,
Over a generous row of flowers…

At a short distance, I witness that very simple scene
Of what I presume to be a grand-mother and her grand-son,
Gently savouring a pack of biscuits.
Surely what a tender view…
I might be mistaken though,
Could be a different type of relation ;
And the boy’s not so young,
More like a twelve-year-old.

I don’t give’em much of attention
Until I realize that I could play, or precisely couldn’t,
Both parts of their situation.
It’s not a question of gender, nor chocolate biscuits ;
This is about sharing a special link,
More than just a bloodline.

And now I’m musing on the uniqueness of their relationship,
And how important it must be, assuredly to this woman,
Even more to this boy,
That sweet looking clumsy boy…
Then I reflect on the subject of otherness, and how long,
How old for a child,
Does it take to conceive how many more humans live on earth
Than his relatives and friends.

I mean, not just on paper,
But fully realizing for the first shocking time
The multitudes of complete strangers out there,
When you only get to know so few of them.
That scaring fascinating sensation that anything is possible ;
Life is so vast,
But then you feel quite reassured
To be on summer holidays
Eating biscuits with your grandma.
_ well, perhaps his god-mother in fact.

It’s a shiny July afternoon,
Now the sunlight strikes a bit harder ;
And I am no schoolboy anyway,
Nor his grandma either,
And I’m hungry for love and otherness
Like I never was maybe…
But you don’t feed me on chocolate biscuits anymore.
I need the flesh,
I need the spirit
I need you

I need you all.

People walking solitary (on a springtime evening)

I believe in people walking solitary on a springtime evening,
Who’re not drunks, hoboes, or weirdos,
Who’re not junkies or pushers,
Hustlers and hookers,
None of them typical midnight freaks.
Who’re not even walking their dog,
Or joining a free party in the woods…
It might seem unlikely,
But they just need a little talking to themselves.
And whatever the season, I guess.
It only goes nicer in May.

Their face is an island of sanity
Amongst every gathering of loud, drunken and gross people
Overfilling the space even two hundred yards away ;
Those who make you change direction,
Not by security,
Yet for the sake of quietness.

Their silhouette is a shade of dignity
Amongst all predatory occupation of a street,
Or a simple byway.

They seem to walk their line,
And this lane of intimacy
I’d never mean to swerve.

I believe in you
Solitary girl, solitary boy.
Let the night be yours
And tomorrows be more sensible and reasoned.

You don’t behave like you want to hurt someone,
Or like you want to hurt yourself.
You don’t seem to believe that the earth is flat.
You just think better on your own.

And I believe in your thinking,
Whether I do agree or not with your thoughts.

I believe in your thinking,
And I believe in your walk.



(Drawing by Edward Hopper – « Night shadows »)

That time of the century

It’s now, it’s that time of the century.
And all you can say is you’re ready.
The moment is yours, the future is born,
And it came a long way to capture your soul.
It dangles the cure by twisting a thorn,
Not for you to obey, yet to fix on your goal.
It scares and allures, invades any shore,
And you’re left as a prey, only few steps behind,
When you’re still unsure what phase you head for.
It knows you’re enslaved, like most in your kind,
Who’ll grow insecure at a free entry door,
At the suddenly paved avenue of their times.

And the moment is pure, and the light is reborn,
As it came a long way for to summon your prime ;
When life is obscured with all you had sworn
It clears enough days to freshen your mind.
Unless you adjourn a filtering dawn,
Abide in your haze and partly go blind,
This page you will turn, or soon will be torn,
You’re either in chase or easier to bind.

Oh, the strain you endure in your quest for more…
Every page has a lure, when not fully scored.
And the mourning is rude, yet no past you adorn,
Rewinding old views of the sculpture you’re from.
How brittle and crude, it was looking forlorn ;
If you played your own muse, well, embrace your freedom.

It’s now, it’s that time of a century.
And all you can swear is « I’m ready ».

(Tableau : André Devambez – « La Charge »)

Beat the odds.

Beat the crap
Beat the mellow stuff
Beat the odds
Beat the evidence
Beat the mainstream
Beat the flood
Beat the word on the street
Beat the noise of defeat

Beat the times
Beat the city
Beat the so-called winner
Beat the self-grown loser
Beat your fate
Beat the current rate
Beat the average
Beat the common type
Beat the hype
Beat the village
Beat the happy few
Beat the well-born
Beat the bourgeoisie
Beat the labour’s view

Beat the line that’s too easy
Beat the song rhyming cheesy
Beat the fashion
Beat the standards
Beat the grade they gave you
Beat the past you went through
Beat all expectations
Beat all and anyone’s expectation
Beat the wind against you
Beat the heights you once knew

Beat the odds
Beat the flood
Beat the insiders and outsiders
Beat your idea of yourself
And beat your idea of the world

It’s gonna take a lifetime
It’s gonna take a life’s work
Now beat the pavement
Beat your soul down to the pavement

Beat your soul deep down to the pavement



(Tableau : Gustave Courbet – « The man made mad with fear »)

Can’t hurt the pain.

Edvard-Munch-Vampyr-II-1896

You can’t hurt the pain.
Can’t make the grief suffer the way you do.
Nor cut a lifeless branch on a weak familiar tree,
Regardless of the shades unrolling over you,
From every last year’s leaf the spring will not renew.
You won’t kill what’s dead already,
Loathe what’s cold or vanished,
What no more will shine.
Even when the old flame surrounds you.

You do not heal,
But never grows the fatal wound,
Wishing you’d turn the stroke of fate
In a violent revenging blow.
By then you point the fist
Against your own shadow,
Unveil a clear target
For those of light beliefs,
Who hardly bare their chest,
And let their feelings go.
You look for mind relief,
In the balance we make
Between beauty and dirt.
Not amongst right or wrong,
Justice and crime.

You’re not the lawyer.
Because you feel, more than you judge.
You get to sense, more than you deem.

Then in the final repentence,
Here is the greatest of your deeds ;
If, as a living remembrance,
You are the one she requested
For the ultimate confidence,
Facing an almost departed.
The hand in debt will cure
What itself had branded.
And you will know the touch,
As you will know your pain,
But then also the prints
From a brotherly chain.
This major human link
Was never born in vain.

So you will have to lend
Your own uncertain hand,
All over bitterness,
Absence and loneliness.
Wide open for a mate
Not to a broken fate,
Not to a shred of history,
Nor a fallen memory.
Not to a leaving rest of life.

For you cannot hurt the pain.
She’ll lift you anyway.

And you shall forgive.

(Tableau : Edvard Munch – « Vampyr II »)